The Context Volume 2 Issue 3 July 2015

Front matter

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Contents

Literary Essays

 

Black Humour in Timeri N. Murari’s The Taliban Cricket Club

J Pamela

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Text, Context and Approaches: A Literary Perspective of World Englishes

Manisha Sinha

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Narcopolis: The City of Possession and Dispossession

Sugndha Sinha

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The Miserable Lives of women in Arundhati Roy’s The God of Small Things

Rekha Jaiswal

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Text and Meaning in Umberto Eco’s The Open Work

Dr P Prayer Elmo Raj

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Identity And Ethnic Assertion in Mohsin Hamid’s The Reluctant Fundamentalist

Mukta Singh

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Forging Identity in the Matrix of Community: Testimony of Dalit Autobiographies

Dr Vandana Pathak

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Black Autobiography as Rising Inner Self in I Know Why The Caged Bird Sings

Dr Syed Aleemuddin

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Can Gender Hierarchy Explain The Conditions For Production Of Gender?

Sanjhee Gianchandani

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The Craftsman and the Machine Age

Dr Kiran Arora

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Women Voices from War-Infected Iraq: Daisy Al-Amir & Najde Sadig Al-Ali

Dr Shamenaz Bano

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Shakespeare in Bollywood: Adaptation of Shakespeare’s plays in Vishal Bhardwaj’s Maqbool & Omkara

Aliya Rafat

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Capitalist Invasion and Ecological Crisis in The Artist of Disappearance

Navin Kumar Yadav

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Technological Reproduction of Literature: A Study of Flarf Poetry

Nitika Gulati

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Taslima Nasreen as a Third World Feminist Writer: A Review

Abhishek Chowdhari

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Transparency or Transference?: The Case of Manto’s ‘Toba Tek Singh’

Ayesha Abrar

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The Concept of Time in the Poetry of A. K. Ramanujan

Tejaswini Patil

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Issues of Adaptation and Acquisition of Cultural and Ethnic Identities in Bharati Mukherjee’s The Middleman and Other Stories

Dr Ashok Kadam

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Historical Development and Evolutionary Changes of English Language

Tukaram Bobade

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Cultural Reconstruction: Desirable Daughters and The Tree Bride

Anupama Sharma

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Ismat Chughtai: An Awakener for Women’s Gender Issues

Bushra Wadood

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Book Reviews

Bishnupada Ray’s White Lotus and Other Poems

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Alice Munro’s Lives of Girls and Women

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